time is not a line
we are in agreement that...
BOUND by Mail
Mizna: The Comix Issue (Vol. 21.1)
What’s the Point of a Poster?
The Opening
nothing is set in stone (narrative intifada)
The Specimen’s Apology
Still Born
Border Diary
The Fig Tree
The Sardine Tin
Single Issue Voter
Palestinians for Black Power
عربي مكسر
Ramadan Mubarak!
Refugees Against Borders
Smuggling Books Across the Border
Migraine Hell
Baddawi
Printmaking Posters
︎︎︎a burst of wind and light (or, things i’d like to imagine)
︎︎︎Disappearing in High Definition
︎︎︎A Map of Silence, and the Spaces Between
︎About
Smuggling Books Across the Border (2015)
Published by The Electronic Intifada
Self-published as a zine
The eigth annual Palestine Festival of Literature brought together more than 30 authors to participate in a week of cultural programming throughout Palestine in late May. International participants did readings in Ramallah, Jerusalem, Nablus, Hebron, and Haifa alongside local Palestinian poets, musicians, and authors. I was among the authors invited to participate.
The following series of illustrations represent a range of responses to the festival, from feeling at home to feeling out of place, moments of safety and moments of vulnerability, and the uncomfortable reality of “occupation tourism.”
Originally commissioned for The Electronic Intifada, the series was later self-published as a zine.
Published by The Electronic Intifada
Self-published as a zine
The eigth annual Palestine Festival of Literature brought together more than 30 authors to participate in a week of cultural programming throughout Palestine in late May. International participants did readings in Ramallah, Jerusalem, Nablus, Hebron, and Haifa alongside local Palestinian poets, musicians, and authors. I was among the authors invited to participate.
The following series of illustrations represent a range of responses to the festival, from feeling at home to feeling out of place, moments of safety and moments of vulnerability, and the uncomfortable reality of “occupation tourism.”
Originally commissioned for The Electronic Intifada, the series was later self-published as a zine.
