time is not a line
we are in agreement that...
BOUND by Mail
Mizna: The Comix Issue (Vol. 21.1)
What’s the Point of a Poster?
The Opening
nothing is set in stone (narrative intifada)
The Specimen’s Apology
Still Born
Border Diary
The Fig Tree
The Sardine Tin
Single Issue Voter
Palestinians for Black Power
عربي مكسر
Ramadan Mubarak!
Refugees Against Borders
Smuggling Books Across the Border
Migraine Hell
Baddawi
Printmaking Posters
︎︎︎a burst of wind and light (or, things i’d like to imagine)
︎︎︎Disappearing in High Definition
︎︎︎A Map of Silence, and the Spaces Between
︎About
A Map of Palestine
(Arab American National Museum Lower Level Gallery, 2016-2017)
Mural mapping the largest Palestinian communities in the world, painted to temporarily accompany my solo exhibition, Drawing in the Diaspora, at the AANM. Communities are mapped with tatreez (traditional Palestinian emboridery) patterns, stitched together by Naji al-Ali’s Handala, the symbol of the Palestinian refugee child.
(Arab American National Museum Lower Level Gallery, 2016-2017)
Mural mapping the largest Palestinian communities in the world, painted to temporarily accompany my solo exhibition, Drawing in the Diaspora, at the AANM. Communities are mapped with tatreez (traditional Palestinian emboridery) patterns, stitched together by Naji al-Ali’s Handala, the symbol of the Palestinian refugee child.
